With over 150 million albums sold, decades of packed stadiums, and prestigious honors like the Gershwin Prize for Popular Song and the Kennedy Center Honors, Garth Brooks is definitely a music icon.

However, as he announces the last performances of his sold-out Garth Brooks/Plus One residency at The Colosseum at Caesars Palace in Las Vegas, it’s clear that he will genuinely miss these shows.

“If there’s anyone who would choose to do this forever, it’s me,” Brooks shared in an exclusive interview with YSL News.

His lively performances, filled with fan-favorite hits like (“Callin’ Baton Rouge,” “Papa Loved Mama”), emotional ballads (“Unanswered Prayers,” “The Dance”), as well as covers from artists like Billy Joel, George Strait, Wynonna Judd, and Bob Seger, often feature special guest appearances by his superstar wife, Trisha Yearwood. These shows will wrap up in March 2025.

The final shows are scheduled for February 21-23, 28, and March 1-2, and 7-9.

Tickets for these last shows will be available starting at 1 p.m. EDT on September 19 at ticketmaster.com/GarthVegas.

Citi cardmembers can access a presale beginning at 1 p.m. on September 16. Previous ticket holders for Brooks’ residency may purchase tickets at 1 p.m. EDT on September 17, while members of Caesars Rewards and Live Nation customers will have access starting at 1 p.m. EDT on September 18.

In addition, Brooks, 62, announced the conclusion of his online series Inside Studio G, which he has run since 2016, later this year.

“It’s time to explore what’s next,” Brooks explains. “We just relaunched the Garth Channel on the digital platform TuneIn, so we’re focusing our efforts there.”

The ever-enthusiastic Brooks discussed more about his farewell to the Caesars residency – revealing plans for a live album from the final performances – enjoying his time with his band in Las Vegas, and his decision to step into the role of “plus one” for Yearwood.

Question: Will these upcoming dates truly mark the end?

Answer: (Laughs) Yes, they really will. We signed a one-year contract, and to ensure Caesars didn’t lose money, they had the option for a second year, which they exercised. I’m going to miss it dearly. The crowds have been incredible. I could place a Garth audience anywhere, but ensuring phones are put away during performances has made a huge difference; each show feels like a surprise for the fans. It’s been an amazing experience, and I truly hate to see it end.

We spoke on the day of your opening night in May 2023, and back then, you weren’t quite sure what your first song would be. You chose a Bob Seger track and have been starting with a cover nearly every show since. Why?

I think it’s partly because I prefer to keep my own songs in reserve for later. Plus, we need to soundcheck the venue every night, so I’ll select a song from Seger, Keith Whitley, or Randy Travis to get a sense of the room and identify the best spots for performing. If the area you’re in feels energetic, it amplifies the excitement when the band joins in. I enjoy wandering around the stage to discover those pockets; it’s how I assess the venue.

What draws you to Bob Seger’s music, leading you to play multiple tracks from him in your set?

Seger, much like the Eagles, would have fit perfectly into the country music scene if he had emerged in the ‘90s, similar to artists like James Taylor who utilized a pedal steel guitar. Linda Ronstadt also produced country music during that time, and it was an era I grew up with. I truly appreciate their ability to tell stories through their music.

What have you enjoyed the most about your time in Las Vegas?

I’ve had the chance to spend incredible time with my band and crew. We have team dinners, go shopping, and visit places like Topgolf. It feels like a big family of good people. About 40 years ago, I realized life is too short for negativity, so if you’re surrounded by people you love, even tough moments like traffic jams feel trivial—you’re fortunate. Of the 31 people involved the residency shows, 24 of us began this journey in 1994. Thirty years is quite a milestone—that’s like a family.

How does this residency compare to your first one at Wynn (2009-2014)?

The initial residency was intimate and sweet—only 1,400 attendees, just me and my guitar. While I cherished that freedom, I truly missed having my band. After 391 performances in arenas and stadiums, the band has reached a whole new level. At Wynn, it was merely Garth with a guitar. At the Vegas show, once the audience realizes it’s not just a solo act, they really engage. I see an equal number of men and women in the crowd, with even more guys attending now. Honestly, if it were just Garth solo, it’d be tough to attract that male audience, and I enjoy seeing them join in, even if we all dance badly!

You opened your Friends in Low Places bar in Nashville last March, and there are whispers about a possible location in Vegas. Is there any truth to that?

I believe Vegas is the only other possible location for it; it could be a lot of fun! If it’s meant to be, it will happen organically. The focus would need to be on three key aspects: quality service, cleanliness, and security. Since I live close to the Nashville venue, I question how much I could trust a spot so far away. We want to convey that we are here for one another.

What are your performance plans after this residency?

Looking ahead to 2025, I see my role as the supportive partner. My wife has always been there for me, and it’s my turn to support her, experiencing more than just two songs each night. I told her I’d happily have her band and stay backstage to assist her in any way.

Any special plans for the final show in March?

I’d really like to capture it on film. There’s something truly special happening within those walls. We also plan to retire the “Double Live” and “Triple Live” albums (released in 1998 and 2019, respectively), and introduce “Killer Live.” This new album will honor other artists and include medleys from various towns, featuring musicians like Tom Petty in Florida and James Taylor in North Carolina. Before that, though, we’ll likely record the last three weekends at Caesars for a live album; I want you to experience what I’m experiencing.