Auliʻi Cravalho, who grew up in Hawaii, used to hear her classmates call her “Moana.” Fast forward eight years and over 4,900 miles later, she’s navigating life in New York City.

“Today, I nearly got hit by a bike! My fault. I don’t always wear my contacts,” says Cravalho, who became famous for voicing Disney’s “Moana” at age 16 and now stars as Sally Bowles in the Broadway revival of “Cabaret,” performing seven shows weekly. “This city definitely keeps me on my toes. I’m eagerly looking forward to returning to Hawaii and relaxing on island time where being 10-15 minutes late is the norm—unlike here.”

Her animated character sings about going the distance, and in less than ten years, Cravalho has truly made her own journey. “Moana 2,” which is currently in theaters, sees Moana embarking on a new adventure to unite her people and the sea, while in reality, Cravalho is enjoying more mature roles after her teenage performances in films like “All Together Now” and “Mean Girls.”

Reflecting on her character, Cravalho states, “Sally Bowles is an entirely different character from Moana. I’ve wanted to portray roles beyond high school, and playing Sally gives me permission to explore a darker side each night. I got to truly delve into what I wished for and more.”

In addition to her animated comeback, Cravalho shares her experiences as an executive producer for the upcoming live-action adaptation of “Moana” and her future plans.

Question: Can you share what life was like before “Moana”?

Auliʻi Cravalho: My mom and I lived in a small one-bedroom apartment. I practiced the “Moana” songs there, and the walls were thin. The neighbors below had a newborn, so we would coordinate quiet times to avoid waking the baby. They cheered when I sang the “I am Moana!” song during practice, and they were among the first to hear the entire soundtrack.

What aspects of your teenage self remain with you today?

A significant part of my identity comes from who I was when I was 16 or 17. My theatrical side has finally been able to fully emerge. I revel in the creativity of recording. In the booth, I can explore new voices and inflections without concern for cameras—it’s liberating!

I also maintain a close relationship with my mom. Even though I’m now mature enough to manage my commitments, I still reach out to her for things like Instacart deliveries or Uber Eats. Just the other day, she ordered some pimple patches for me from Amazon—only a mom would know that I needed them.

What resonates with you in Moana’s journey in the sequel?

This sequel focuses on Moana’s evolution, shifting from connecting with her past to looking ahead for the future. I found the introduction of Moana’s little sister, Simea, heartwarming and emotional every time she appeared on screen. I appreciate the growth theme in the story. When Moana thinks the journey will be straightforward, she learns otherwise. No matter how much she wants to steer her own course, some things are beyond her control.

“Moana” has had a profound impact. Explain what that feels like to inspire a new generation of girls and theater lovers.

I never anticipated that at 24, I would play such a meaningful character—one that resonates with young girls, their parents, and others carving their own paths without relying on a love interest. I truly treasure this. Currently, in “Cabaret,” I met two young women at the stage door; one of whom sang “How”

What’s it like to be a Broadway star?

It’s genuinely challenging and quite humbling. I’ve experienced some issues with my voice, and as my fellow actors would jokingly say, I’m getting “love bites” or theater bruises – I seem to be getting them all over from the choreography. My legs are sore, and I occasionally forget my lines, but overall, it’s an incredible experience. I truly feel honored to be working hard in Broadway.

And you’re also working on producing a “Moana” film.

Why are there so many emails? How can anyone keep up with that many emails daily? (Laughs) I’m really thankful to my team for helping me adjust to this new role. Honestly, I’m used to being pampered since I’m the talent. Transitioning to the producing side means I’m truly involved.

I’m excited about this new direction. There are so many stories to share from a young Pasifika viewpoint. Nonetheless, I don’t intend to act for my entire career. I’m starting off managing emails and will eventually tackle budgeting, which is a significant step, but I will manage it.

What’s next after “Cabaret”?

If anyone wants to send me my next script. I’m already booked until March. I’m currently sharing a place with my closest friend. We’ve dreamed of living in New York City since we were kids. Honestly, I haven’t even visited the Met or MoMA yet. I hope that once the show wraps, I can settle down a bit and enjoy a victory lap.